
Self-Producing: Playwrights & Actors, Why DIY Can Be the Best waY
As a playwright, I’ve struggled with landing production opportunities for my new plays the traditional way. So I taught myself the art of self-producing.
As a playwright, I’ve struggled with landing production opportunities for my new plays the traditional way. So I taught myself the art of self-producing.
As anyone who dabbles in theatrical effects knows, cheap stage blood is very unforgiving and will stain your skin and clothes if you look at it the wrong way, whereas most commercially available bottles of “washable fabric-safe fake blood” come in tiny bottles that are prohibitively expensive. So, how do we keep the cleaning budget from ballooning out of control? By making it ourselves using my tried and true, super-sexy, fabric-safe, no-stain washable stage blood recipe, that’s how!
Well, we’ve survived another Hollywood Fringe. I mean, barely. But we survived. This year’s festival was one of the most stressful I’ve ever experienced as a venue manager. However, as an actor, a producer, a designer, and a playwright, it was a complete success!
I’m thrilled to be a part of this year’s festival not only as a designer, playwright, and venue manager, but also as a performer! That’s right, ya boy’s performing in a show this year, and I’m super stoked for you to come and see it!
Last week, I had the pleasure of being a guest on James Elden’s Playwright’s Spotlight, a theatre podcast about playwriting. His show usually runs a solid hour to ninety minutes, and it’s a “writers on writing” podcast. However, we did a full two hours!
It’s been a bit since I’ve talked about career stuff on here. I’ve been hard at work submitting, connecting with casting folks, and developing my own material.
Recent Comments