Gregory Crafts

Gregory Crafts

Creative Multi-Hyphenate

An award-winning multi-hyphenate creative artist, with more than twenty-five years of experience as an actor, playwright, director, designer, and theatrical producer under his belt, Greg graduated from Emerson College in Boston, MA with a Bachelor’s in Theatre Studies in 2003. Soon after, Greg migrated to Los Angeles seeking adventure in the entertainment industry. He currently resides in North Hollywood, CA with his wife, Jenn, and their cats, Miranda and Bailey.

A 2016 meeting of the Theatre Unleashed Writers’ Den.

EDIT: This post was updated on May 18th, 2018 May 12th, 2019 and now boasts 23 resources! 

One of the many things we have at Theatre Unleashed is a playwriting unit. Lots of companies have them – it’s where they internally develop original work. Ours is not terribly formal. Once every few weeks, we get together at a tea house a few blocks from our theater in North Hollywood. Some are ensemble members of TU. Some are friends whose work we respect and want to eventually produce. We swap pages and offer constructive critique. We pitch ideas and solicit feedback. We talk about elements of our current projects we’re struggling with. We share playwriting resources. All with an eye to developing original material that will eventually wind up on our stage. It’s a fun, laid-back, and supportive environment.

During a recent gathering at the Den, I was asked to talk about what I did to get my work published. My writing partner, Mike, and I held a brief impromptu symposium on what we did to get Super Sidekick: The Musical into Samuel French’s catalog, and I provided additional insight from shopping Friends Like These around (which eventually wound up with Stage Rights).

Over the course of the conversation, Mike and I touched upon a plethora of resources we’ve either used or heard about. So, in an effort to make things easier for our Den-izens, I recently compiled a list of links to all of the playwriting resources we’d discussed, and I’ve decided to share them here for your benefit. I hope you find these resources as helpful as I do! For ease and convenience, I have split them up into four categories:

The Anniversary Issue (now Tattered Capes) by Gregory Crafts at Serial Killers, 2016

Playwriting Organizations

  • The Dramatists Guild
    The Dramatists Guild – the professional association of playwrights, composers, lyricists & librettists. The Guild is for established writers, but offers a plethora of resources and opportunities to members.
  • National New Play Network
    The National New Play Network is the country’s alliance of nonprofit theaters that champions the development, production and continued life of new plays. They strive to pioneer, implement, and disseminate ideas and programs that revolutionize the way theaters collaborate to support new plays and playwrights.
  • ALAP | The Alliance of Los Angeles Playwrights
    The Alliance of Los Angeles Playwrights (ALAP) is a service and support organization dedicated to protecting the rights and addressing the professional needs of the Los Angeles playwriting community through providing playwriting resources. Founded in 1992, ALAP has a large and diverse membership of area playwrights ranging from students and beginning writers to established professionals.

Super Sidekick: The Musical by Gregory Crafts and Michael Gordon Shapiro at the Summit School in North Carolina, 2017

Online Playwriting Resources

  • World Theatre Map (was New Play Map)
    The World Theatre Map is a user-generated directory and real-time map of the global theatre community. It’s a digital commons, free and open to all. The World Theatre Map aims to make the field visible to itself by providing a collectively-owned, people-powered infrastructure to connect isolated theatremakers to vital information resources and knowledge.
  • American Association of Community Theatre
    AACT is the national community theatre organization, whose chief goal is to enable community theatres across the country to become the cornerstones of the creative life of their communities—to provide quality entertainment, intellectual stimulation, challenge and opportunity, and to be worthy contributors to an improved quality of life for the communities which they serve.

Three Can Keep a Secret by Gregory Crafts at Play/Time: Serial Edition, 2016

Festivals and/or Self-Producing Opportunities

  • Short + Sweet
    Short+Sweet is a global festival brand, presenting highly successful Theatre, Dance, Cabaret, and Song Festivals around the world. We provide audiences with exciting and contemporary works that challenge and entertain. Short+Sweet’s mission is to build theatre-going audiences around the world. Short+Sweet made landfall in America in 2016, launching Short+Sweet Hollywood.
  • World Fringe Alliance
    The World Fringe Alliance combines the resources of some of the world’s largest festivals to create a conduit for communication, visibility opportunities and cross-festival participation. The members meet annually to reflect on the status of the modern festival and take actions to better the enjoyment of participants and patrons on a global scale. Members include the Edinburgh International Festival, Hollywood Fringe Festival and FringeNYC – The New York International Fringe Festival.
  • Canadian Association of Fringe Festivals
    CAFF’s member festivals have worked together for more than thirty years to pioneer a made-in-Canada model unique in the Fringe world. Our festivals are designed to put artists and audiences in direct contact, fostering experimentation and discovery on both sides of the fourth wall… A movement for artistic innovation through audience-driven “curation.” Members include the San Diego International Fringe Festival and the San Francisco Fringe Festival. Because Canada.

Friends Like These by Gregory Crafts at the 2010 Hollywood Fringe Festival

Miscellaneous Playwriting Resources

  • The Official Playwrights of Facebook Public Group
    The Official Playwrights of Facebook has over ten thousand members. The purpose behind this group is that, traditionally, being a playwright is difficult work, but succeeding as one is tough as shit. The support, advice, and camaraderie of fellow playwrights is paramount. So, here it is, an attempt to reach across the whole of the international Facebook community to unite playwrights so that we can improve our chances to become vastly wealthy, buy giant mansions, bathe in water imported from the glaciers of Norway, Eugene O’Neill, Henrik Ibsen, and Euripedes, and generally not go crazy. We’ll probably be drinking brandy and wearing monocles, too. Top hats in the bathtub are optional, but highly recommended.
    Because Reddit. A subreddit for writing for the stage — from 10 minutes plays to full-length productions.
    • Post questions about playwriting (format, submissions, etc)
    • Converse with other playwrights (share ideas, successes, etc)
    • Submit your own work for feedback (pdf is best, via google docs)
    • Add articles or websites that other playwrights may find helpful

  • HowlRound | Theatre Blog, Reviews, Livestreaming & Creative Commons
    A commons by and for people who make performance. HowlRound is a condition—one that results in a howling noise when sound from a loudspeaker is fed back into a microphone. It’s an amplified feedback loop. This idea of a feedback loop represents the condition upon which HowlRound was born five years ago—as a place for artists to provide feedback, learning, expertise, frustration, and vision—in an effort to enliven the fields of theatre and performance to the aspiring and established artist alike.

So, that’s my list of 17 now 20 now 23 resources for Los Angeles Playwrights! Next up will be a list of theatrical publishing companies and how to submit to them. But that’s for another day.

Did I miss anything? If so, please post a link in the comments below!


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